



DILIP GUHA ★ New Delhi : On the special occasion of International Women’s Day on March 8, 2025, the South Zone Cultural Centre (SZCC) presented a choreographic presentation featuring all women performers at The Vividhta ka Amit Mahotsav, which was held from March 5 to 9, 2025, at Rashtrapati Bhawan, New Delhi.

The event showcased various performances, including Kangas, Kavandi, Nyaondimelons, Kai Silambu Attam, Bommalattam, and the Peacock Dance by talented female artists from Tamil Nadu, in a grand manner.
Additionally, women from Andhra Pradesh performed Dhimsa, a tribal dance, and a fusion of Kuchipudi.
Female artists from Kerala presented “Ente Keralam Fusion” through Singari Melam.
The women of Tamil Nadu also showcased Thappattam beautifully. Furthermore, Tamil Nadu presented Pambai Melam, Aichil Attam, and Thoppu Karanam, while Andhra Pradesh performers presented Andhra Natyam wonderfully.
Telangana showcased the classical dance form Mohiniyattam, and Kerala presented Natanam. Lakshadweep featured the folk Bandiya Dance, performed by local women artists.
Women artists from Karnataka presented Veeragase and Beesu Kamsale.
To mark the special Women’s Day performance, the SZCC Group, featuring performers from all South Indian states, presented and choreographed a captivating dance performance, which followed the Kuchipudi dance by Abhinaya Nagajyoti.
National award winner Dr. Deepti Omchery Bhalla delivered a stunning performance of Mohiniyattam. The star singer Maalavika Sundar from Chennai and Ms. Subhashree Thanikachalem entertained the audience with popular Tamil songs from various films.
The performance, “From Puducherry,” was a mesmerizing showcase of traditional dance forms from the region. The Department of Dance, Bharathiar Palkalai Koodam, Puducherry, presented a mesmerizing repertoire of classical and folk performances at Rashtrapati Bhavan, New Delhi. The event featured Anandha Keerthanai, STHREE, Ghoomar, Bhujanga Nrityam, and Nrithya Samyoga Thillana, all showcasing the rich cultural heritage of India. The essence of these Nritya unfolded in a spectacular display of grace, passion, and cultural brilliance, presented by the students of the institute.

Their program commenced with Anandha Keerthanai, which emphasizes aspects of devotion and universal joy by explaining India as a land with amicable country sentiments. The country gives success to all and has for adornment the jewels of Bhagavad Gita, which offers happiness in the universe.
Next up was “STHREE,” A symbol of strength, grace, and resilience. Sthree embodies the essence of creation, nurturance, and power. She represents compassion like a mother and determination like a warrior, possessing wisdom akin to a Guru.
In the beautiful choreography, the message is clear: “Without women, there is no love in this world. Think about it—be confident and step forward without fear.”

Society often imposes restrictions on women through fear, innocence, shyness, and a lack of recognition. Do not let these constraints define you. “Walk boldly with confidence. There is no need for fear.” Be a fearless and rebellious girl who stands up for herself and the world. The dancers’ graceful movements and intricate footwork were truly captivating.
Next item was “Natanam”, a meaningful movement often linked to Shiva’s performance. This divine is an invocation to Lord Shiva, creator and preserver of the universe.
The “Ghoomar” performance, originating from Rajasthan, was a graceful dance performed by women, characterized by elegant twirls and rhythmic claps.
“Bhujanga Nrithyam Dance” of the serpent was a highlight of the evening. The dancers’ sinuous movements and captivating expressions left the audience spellbound. The wavy movement of a snake symbolises grace, power, and alertness. Rooted in Indian classical and folk tradition, it captures. the mystique and agility of the serpent through rhythmic and dynamic choreography.
The final performance, “Nrithya Samyoga Thillana”, symbolizes the complementary Relationship in jugalbandhi, a combination of three styles of classical traditions: Bharatanatyam, Mohiniyattam, and Kuchipudi.
This event was curated by PTDC Experience Puducherry, and the performances, choreographed by the Department of Dance, Bharathiar Palkalai Koodam captivated the audience with their grace, rhythm, and emotive storytelling. Each piece reflected the institution’s dedication to preserving and promoting traditional Indian dance forms while embracing creative innovations. The dancers’ energetic and synchronized movements were a testament to their rigorous training and dedication.
Speaking on the occasion, Dr Vichithra Palikkandy, Head, Department of Dance, Bharathiar Palkalai Koodam, Pondicherry, spoke about the institution’s role in nurturing future artists. She stated, “We are committed to imparting high-quality education in Bharatanatyam, Mohiniyattam, Carnatic Music, and Visual Arts through our UG and PG programs, affiliated with Pondicherry University. This platform at Rashtrapati Bhavan is an honor and a testament to the dedication of our students and faculty.”
The event highlighted the vibrant cultural landscape of Puducherry with performances that resonated deeply with the audience. The institute deserves accolades for their outstanding work in preserving and promoting India’s cultural heritage.
“This prestigious presentation at Rashtrapati Bhavan stands as a proud moment for Bharathiar Palkalai Koodam, reaffirming its commitment to the arts and its role in shaping the next generation of performers,” she added.
Notably, all the performances in the entire event embark on a divine journey where movements meet melody and art become devotion.
Picture : Dilip Guha
