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Thursday, February 13, 2025

“Aantara” : The Rural to Urbanization: A Play’s Perspective

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New Delhi : Recently the play “Aantara,” presented by renowned Japonchitro Natya Gosthi, of Delhi NCR delves into the complex theme of urbanization and its effects on rural communities in India at the Indian Islamic Cultural Centre, Lodhi Road, Delhi.

Through the lens of drama, screenwriter, and director Suhan Basu brings to the forefront the often-overlooked consequences of rapid urban expansion. The narrative poignantly captures the disruption of social values and the upheaval of lives as villagers are enticed by the hollow promises of a better life in burgeoning cities. He has crafted a piece that focuses on the impact of unchecked urbanization.

 

 

 

This artistic endeavour not only entertains but also serves as a mirror to society, reflecting the pressing need for a balanced approach to development that honours and preserves the cultural and social fabric of rural areas.

 

 

 

 

The director stated, “The purpose of “Japonchitro” is to illuminate the growing unrest in society through this play. A strong current of discontent and anger among the common people is leading to an unstable society, spreading gradually from village to village and city to city. The play conveys a message of awareness that one can recognize the signs before this unrest leads to a chaotic society”

“We aim to make the people aware through this play before this social discontent explodes and creates disordered anarchy.”

 

 

 

 

He explained that the play depicts the ‘urbanization’ of rural India leading to changes in social structure. Against the backdrop of forced migration of rural youth to different cities of India, how they are enticed with false promises and lures in the name of stable employment in urban centres. The dire consequences they face due to this is the crux of the play. Most of these youths are routinely exploited in the city with temporary and low-paid jobs in food supply, construction and security trades. Every day they have to face various adverse situations, most of them cannot adapt to this new reality, as it is completely different from their rural environment, and as a result, they suffer mental and physical pain and trauma. As a consequence, they are forced to take extreme measures like suicide. Their grieving and angry families and friends continue to live in the villages. The play aims to shed light on this growing instability of the society. A strong undercurrent of discontent and anger in the minds of the sensitive common men is giving birth to an unstable society and it is gradually spreading from village to village and city to city.

The play delves into the profound impact of urbanization on rural communities in India, highlighting the stark realities faced by the youth as they navigate the transition from rural to urban life. It brings to light the disillusionment and identity crisis that ensues, along with the social displacement, economic exploitation, and cultural erosion that often accompany such a shift.

The play’s ability to evoke emotion, despite noted rhythmic inconsistencies, speaks to the strength of its message and the talent of its performers. It’s a crucial commentary on the challenges of modernization and the need for a more humane approach to development.

The director’s intention to raise awareness about these issues before they escalate into widespread anarchy is a powerful call to action, was successful in his efforts to some extent.

However, as theatre thrives on the harmonious blend of various elements, from acting to music, and rhythm to direction. It’s heartening to hear that the play’s theme, speech, and presentation were well-received. Attention to rhythmic detail can indeed elevate a performance, creating an immersive experience for the audience. With constructive feedback and a focus on refining these aspects, the director and the ensemble have the potential to enhance their craft and achieve excellence in future productions.

Read More : Sasraya News Sunday’s Literature Special | Issue : 38 | 3 November 2024 || সাশ্রয় নিউজ রবিবারের সাহিত্য স্পেশাল | সংখ্যা ৩৮ | ৩ নভেম্বর ২০২৪

The cast includes Aparna Banerjee, Biswajit Ghosh, Seshadri Mitra, Kakoli Mitra, Ritja Basu, Anindita Seth, Joyeeta Sarkar, Joydeep Sarkar, Shaibal Ghosh, Suhan Basu, and others. The music is composed by Sourashanto, the lighting is designed by Ranjan Basu, and the choreography is by Satarupa. 🍁 -Dilip Guha 

Sasraya News
Author: Sasraya News

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