Dilip Guha, New Delhi : Chittaranjan Park Bangiya Samaj shimmered with the elegance, rhythm, and spiritual depth of Bharatanatyam as acclaimed danseuse Debasmita Thakur unveiled her institution, DVIJA – A Confluence of Performing Arts, through a stirring inaugural production titled “Parampara – Celebrating the Eternal Bond of Guru and Shishya” on 11th July 2026.
An accomplished Bharatanatyam exponent, choreographer, and teacher, Debasmita Thakur, Delhi-based, is a distinguished disciple of Padma Bhushan Dr Saroja Vaidyanathan and Smt. Rama Vaidyanathan. Deeply committed to preserving the rich traditions of Indian classical dance, she has dedicated herself to nurturing the next generation of dancers with discipline, creativity, and devotion. Through DVIJA, she envisions creating a vibrant centre of learning where students not only master the technical aspects of Bharatanatyam but also imbibe the cultural, spiritual, and philosophical values that lie at the heart of India’s performing arts heritage.
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The evening commenced with the ceremonial lighting of the lamp by Mr C. V. Kamesh, Guru Jayaprabhamanon, Mr Ravindra Mishra, and Mr Indrajeet Gover, followed by the felicitation of the distinguished guests by Mrs Doli Mukherjee Thakur.
The debut presentation, “Parampara“, presented by the students of DVIJA from the Gurgaon branch and Chittaranjan Park branch, showcased months of rigorous training under the guidance of Debasmita Thakur. Thoughtfully curated, the performance celebrated the timeless Guru–Shishya tradition through a repertoire that seamlessly blended technical precision with expressive artistry.
The programme opened with the sacred Guru Mantra, “Guru Brahma Guru Vishnu,” invoking the blessings of the Guru—the eternal source of wisdom and knowledge. This was followed by Pushpanjali, a graceful offering of flowers to the Divine, the Guru, the accompanying musicians, and the audience, performed with reverence and humility.
The dancers then presented Alarippu, symbolising the awakening and blossoming of the body, mind, and spirit through rhythmic movement. The youngest students delighted the audience with Tatta Adavu, demonstrating the fundamental footwork, posture, balance, and coordination that form the bedrock of Bharatanatyam. Their confidence, synchronisation, and precision reflected the strong foundation and meticulous training imparted by the institution.
The programme continued with Jatiswaram, a pure Nritta composition that highlighted intricate rhythmic patterns, symmetry, and technical finesse. Shambhu Natanam, dedicated to Lord Nataraja, vividly portrayed the cosmic dance of Lord Shiva, celebrating his divine energy through dynamic choreography and expressive movement. The emotive Shabdam introduced the audience to the expressive dimension of Bharatanatyam, weaving together rhythm, music, and storytelling through graceful abhinaya. The devotional Meera Bhajan, “Gunjan Ban,” beautifully portrayed Meerabai’s unwavering love and complete surrender to Lord Krishna, leaving the audience deeply moved by its emotional intensity.
The recital culminated with the vibrant Tillana, characterised by brisk movements, intricate footwork, and exuberant energy, before concluding with the traditional Mangalam, seeking divine blessings and expressing gratitude to the Guru, musicians, and audience.
The inaugural presentation beautifully reflected DVIJA’s vision of preserving, promoting, and passing forward India’s classical performing arts through the timeless Guru-Shishya tradition. Met with an overwhelming response from art lovers, the evening marked not only the successful launch of a new institution but also a significant addition to Delhi’s vibrant cultural landscape, promising a future dedicated to artistic excellence, cultural continuity, and the nurturing of young talent.
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